K-Pop + Oscar: Muse Cultural Dominance Expansion Continues

Yes! An exciting update.

 

We can now say ‘K-Pop’ and ‘Oscar’….now in the same sentence! This is doing even MORE wonders for Muse code global and Western infusion.

 

 

…As in Academy Awards. EJAE took the mainstage Oscar win for the whole team for ‘Best Original Song’ and was associated with ‘Best Animation Feature’ for ‘K-Pop Demon Hunters’ at the 2026 Oscars in L.A.

 

      

The legacy continues and expands; not just of the K-Pop phenomenon (which I predicted years ago) as a lower, ‘cultural’ truth or ‘genre’ nor just of the success of ‘K-Pop Demon Hunters’ and its universal appeal to kids of all ages, but of the Grail Goddess Muse who is really running the show.

 

With this additional high profile win (+ performance); Muse Grail codes even more infused and imbuing into Western culture (which I’ve been covering here and there as I am implicated in all of it including preparing the U.S. for Muse codes far before K-Pop was popular).

 

We often tend to see what is in front of us but it wasn’t just EJAE and her team, nor just the animators (and they deserve the full success); but in the bigger picture there are greater energetic dynamics underneath that this would be taken seriously.

 

Here’s what one reporter said;

 

“Just a really great win for K-pop culture which has (sorta been) surging” – ABC News guest spot

 

 

Kinda how like ‘The Academy’ and the West in general were CLOSED to S.Korea and much Asian influence until ‘Parasite’ came in with the surprise Oscars win. I talk about that here: Pre-Oscars Anniversary of the Seoul-L.A. Gridwork

 

There are deeper energetic and L.A./industry grid dynamics in the meta-dynamics; power, flow, resistances.

 

Invariably b/c there are the deeper dynamics which most aren’t aware of; this success (I attest to another Muse cultural win) and also sources back to the Seoul-L.A. hard-wire gridwork session I did as point man with Muse and our team in 2018 when S.Korea kicked out the world champions in less than a day as the confirmation sign that the work was done…that session’s work is still paying off and expanding.

 

KPDH has had so many awards the past 1/2 year…EJAE and team deserve it!

 

 

On a separate note; her/the eyes have evolved to be deeper connection to spirit and soul in the artists.

 

 

Muse is still more in EJAE’s masculine channel as a song-writer and how She is embodied but less expressed/dormant as Muse); but Muse has worked through her potently.

 

Rei Ami’s (red carpet and performance) presence has changed quite a bit since I did that KPDH Muse reading (more stable and Muse-Goddess embodied on earth; integrated although her aura isn’t as lit or bright in the upper realms as before).

 

 

On another note; B/c this song has been SO played the past 1/2 year I like how the production team and HUNTR/X they mixed it up; made it shorter, different compelling intro and great visuals to keep it re/freshed.

 

 

Anyways; I’m excited about this update!

 

Muse’ legacy continues and it’s good for ALL of us b/c more sourced Grail codes (even when it doesn’t look like it) are more saturated into Western culture. This has everything to do with the future…keep expanding (my Love) and the Trinity of Muse quanta!

 

-Rion

3.17.2026

 

The Seoul Korea -L.A. Gridwork Pre-Oscar Edition

5.5 years later and I finally watched the Academy Award winning movie ‘Parasite’. Fascinating and creepily good however I thought the ending was a bit TOO dark.

 

 

Was anyone else surprised shaking their head by how all of a sudden, South Korea came in and did an unprecedented Oscar mini-sweep – out of nowhere in 2020?!

 

Yeah. Me too until I realized something.

 

I figure the value of the definitive Seoul-L.A. hardwire gridwork session I/we did the night before S.Korea blew the world champions out of the World Cup in Round 1 (2018) as the confirmation sign – that the value on that session would be around $160 million for the few minutes of work.

 

Muse’s decree.

 

See; what we did (and K-Pop has exploded in L.A. and the West since then) was to move the underlying entropy and resistances as well as powerfully STRENGTHEN the instra-structural psychic connection between Korea and L.A.

 

Decades of resistances started melting away on the most fundamental level and everything ushered forward as the metaphorical jungle of entropy was made into a channel of a super-highway.

 

So when the S. Korean team with brilliant director swept the Oscars it took me a few minutes to realize that it was connected back to the grid-working session, Muse, my guides and I did a year and a half earlier (and this still would have been the practical fastest for it to happen).

 

Remember all the resistance Asian-Americans could refer to BEFORE something like that happened in the industry? Poof!

 

“Oh, you’ve got a unique entirely foreign language film vying for best picture? It’s Asian? HA! That’ll never happen…get out of my office” – Cerca 2017

 

“Oh…let’s take another look at this South Korean film…wow..this is JUST the thing and it’s their timing!” – 2019

 

Not that things are perfect now, but all kinds of things opened since then including first Korean-Canadian actress nominated for an Emmy and the most recent Asian-centric Best Picture (although not Korean).

 

In that singular grid-working session (and SO powerful it dauntens me to ever do grid-working again because it was too perfect and I don’t want to spoil a perfect track record of L.A. grid-work with the #metoo movement being before it);

 

We shifted timelines powerfully so they (S. Korea) were on the BEST timeline with L.A. Of course everyone on their side, did their part with such a unique film involving many people with great talent…they did their fullest.

 

And yet I did the thankless, true ‘behind the scenes’ work of a very different nature…but really, I’m just thrilled to have helped be part of it and make history – even though it’s the Muse/K-Pop stuff I’m more excited about (and how my men laid the Reception grid for well over a decade in the U.S. that led to sold out TWICE concerts).

 

Muse Herself is doing it for Her own reasons that are beyond just ‘cultural’ in favor of Korea and even this is related with Grail Ascension.

 

Not everyone believes in grid-work or timelines but most people on my wall do. There ARE unseen forces and psychic dynamics occurring. BTW; one of the actors recently committed suicide.

 

Anyways; I haven’t done grid-work since then (surely it will be coming back when She decrees it b/c there is work to be done)…

 

I’ve done a previous FB post or 3 on this but I’ll post the link to the official blog post on it here (and I know some of you may also be suspended in dis-belief):

https://sexychi.com/5-year-anniversary-of-the-seoul-l-a…/

#gridwork #gridworker #kpop #Oscars #lightworker #parasitemovie


“Most thrillingly, Bong’s film won Best Picture, prevailing over the predicted options from directors such as Martin Scorsese and Sam Mendes. In doing so, Parasite became the first non-English-language movie to win the Academy’s top award—and made history.”

 

 

https://www.theatlantic.com/culture/archive/2020/02/parasite-oscars/606310/?sexychigridwork

5 Year Anniversary of the Seoul-L.A. Gridwork Session

In celebration of the 5 year anniversary (actually about 3 weeks ago) of the Seoul S.Korea -L.A. Hardwire Grid-working session, it’s just hard for me to believe it’s been 5 years since my last grid-working session!?

 

Part of me is still so awestruck by the raw power and results of it (starting with S.Korea blowing the World Cup Champions Germany out of the first round the same literal day as ‘the sign’).

 

You can view FIFA World Cup highlights of that shocking historical upset here. We shifted the timeline and this was ‘the sign’.

 

 

An Academy Awards mini-sweep out of nowhere (unheard of previously for ‘foreign’ films let alone Korean),

 

 

…first Asian Emmy winner (Korean-Canadian) which was one of the first things to happen, MANY tv and talk show appearances, sold out U.S. mega-concerts, Western artist collaborations, Coachella mainstage, lighting the Empire State building, etc.

BLACKPINK COACHELLA ENERGY READING

(Granted the men practicing our method of Muse meditation were also laying ground work for higher dimensional reception of Muse codes in the social matrix).

 

It’s all Muse behind it.

See, the grid-working cleared up deeper energetic RESISTANCES in the L.A. Grid itself to allow a more fundamental flow of RECEPTION to all things S. Korean.

 

I’ve been contemplating it the past 6 months and thinking that I’d put the value of that session work around $150 million to the South Korean economy.

 

MOST exciting to me however is the Muse Trinity of Quanta and what’s going on from HERE forward (whether I ever do direct energy work with K-Pop groups or not), because this is ALLLLL Muse’s work…

 

I was just point man for OUR co-creative ascended team when I did the FURIOUSLY powerful hard-wiring during session time when she said NOW in late June 2018 (I even posted about it on my timeline not yet knowing then the implications).

 

Again; it was so powerful and perfect that I’m honestly daunted by the concept of grid-working again b/c part of me wants things to KEEP being beyond legendary….my gift of preservation (Gene Key 32) kinda doesn’t want to ruin a perfect streak off of my OTHER grid-working sessions as well.

 

I get that you might be skeptical but grid-working is real and of course the artists and so forth have put in so much work and are so talented themselves to fully deserve it…But consider the deeper infra-structural dynamic…it’s just that if things were like they were before on a different timeline (granted PSY’s mega-hit also warmed things up a lot), agents would still be dismissing Koreans out of their office (something closer to that).

 

So I’m grateful to have played an understated power role in all of this, not merely for Korean culture but really for Muse.

 

This level of power (in service of course) is something; alas, there is more grid-work to be done especially in L.A. for She hath other work to do.

 

When She told me to do what ended up being THE literal #metoo movement L.A. grid-working session in spring 2017, I listened and did the work (in session time).

 

All of this is Her work and She’s got a LOT in store….Muse wants to create a RENAISSANCE in the West and She is a prime Grail archetype.

 

It’s about more than just about the success of K-Pop crossing over and Korean cultural explosion (that’s just part of it and a lower truth shell).

 

You can read one of my FB posts about this here: Los Angeles Korea Gridwork

 

#gridworker #gridworking #kpop #muse #musearchetype #lightworker #grailcodes

6 Year Anniversary of the #metoo Movement L.A. Gridworking Session

6 years ago in 2017 (living in Playa del Carmen) when I was in session (~14.4 years in to experiential Sacred Union alchemy);

 

The archetypal Muse directed me to go directly and immediately into an L.A. Grid-working session *specifically* around calibrating the shadow sexual power abuse dynamic in Hollywood.

 

It was very specific that it was about this dynamic alone and as I was doing the gridwork itself; the name of Harvey Weinstein and his image popped up during it.

 

I told my roommate the next morning in the sunny and small kitchen while he was getting coffee that there were going to be new fires around L.A.

 

Later that year it was Rose McGowan that came forward and it started the #metoo movement for better or worse. And all of the women that came forward throughout – it became a global movement and recalibration (sometimes going too far).

 

Although I was point man on the job, I wanted to let you know that it was directly Muse who commissioned the work. It amplified the energetic substructure around L.A. to a boiling point where something was going to burst and truth was going to be revealed. We did the underlying infrastructural work that made it more ready for Rose to come forward.

 

Muse didn’t do it as a general virtuous thing for make benefit.

 

No…She primarily did it to prepare L.A. as a hot seat of culture for more of HER codes (Grail Codes btw) and secondarily She was/is very aware of the other ascension and Communion blocking dynamics in the world as well.

 

(This is also why She’s opening up Her codes to beyond just performance artists and rare unique souls but now to directly have more Grail influence with Her magic ie. in the Muse Priestess lineage).

 

Entirely implicated in this is the levels of previous control and dishonor towards the feminine and that is no foundation for the reverence that Her codes bring. There is still much (L.A.) gridwork to be done however.

 

It’s not that most men have to be afraid (nor is the future ‘just feminine’); that was just a necessary rebalancing that spread across the world (and yes, you can thank Muse for that).

 

From that and what is next is far more room for ALL GRAIL WORK, divine unions, grail starlets and Kingmakers.

 

L.A. was too crowded and infested before in its tyrannical shadow-grid of control that there wasn’t much space so we had to start with power steps at a time.

 

This work is powerful because Muse is immensely powerful.

 

Later when I landed for a short layer at LAX, the BIG earthquake hit. Remember that I SUPPORT artists, beauty and media production and entertainment; however the evolution of it and there’s a lot of shadow shit that’s preventing ascension and interfering with the evolution of consciousness.

 

2 hours after leaving San Francisco, their biggest earthquake in years. Heck; I was facing Kat Von D’s studio in WeHo the night it burnt down (about 100 meters away) using or at least sensing fire in session time with Muse (although we didn’t have any intention to harm).

 

And I have other grid-working stories like the Rainmaking L.A. pods one, etc. Shit has gone haywire when I enter L.A. because what I and She represent is a greatest threat to how Dark Forces are still controlling it. Gillian can attest to this when we were hosting Cosmic Muses and the city was on fire and full of smoke and it was impossible to book a single hotel in the entire city for 6 hours.

 

SO…what can Muse do for YOU?! Maybe revisit the Muse attunement for a reconnect…

 

Some of you may find it all hard to believe.

 

Thing is; back then we just did the COMMISSIONED work in one power session…it took like 1/2 year and then I started piecing it back together.

 

NOTE: I didn’t know during it that the session would foundationally, indirectly and directly support the #metoo movement exactly 6 years ago.

 

Would it have happened anyways? That’s up for debate but it DID secure the timeline itself and it happened + it was all aligned.

 

What a thrill ride being LIVE in helping/make history when you’re in devotion!

 

She moves in mysterious ways..