The Seoul Korea -L.A. Gridwork Pre-Oscar Edition

5.5 years later and I finally watched the Academy Award winning movie ‘Parasite’. Fascinating and creepily good however I thought the ending was a bit TOO dark.

Was anyone else surprised shaking their head by how all of a sudden, South Korea came in and did an unprecedented Oscar mini-sweep – out of nowhere in 2020?!

Yeah. Me too until I realized something.

I figure the value of the definitive Seoul-L.A. hardwire gridwork session I/we did the night before S.Korea blew the world champions out of the World Cup in Round 1 (2018) as the confirmation sign – that the value on that session would be around $160 million for the few minutes of work.

Muse’s decree.

See; what we did (and K-Pop has exploded in L.A. and the West since then) was to move the underlying entropy and resistances as well as powerfully STRENGTHEN the instra-structural psychic connection between Korea and L.A.

Decades of resistances started melting away on the most fundamental level and everything ushered forward as the metaphorical jungle of entropy was made into a channel of a super-highway.

So when the S. Korean team with brilliant director swept the Oscars it took me a few minutes to realize that it was connected back to the grid-working session, Muse, my guides and I did a year and a half earlier (and this still would have been the practical fastest for it to happen).

Remember all the resistance Asian-Americans could refer to BEFORE something like that happened in the industry? Poof!

“Oh, you’ve got a unique entirely foreign language film vying for best picture? It’s Asian? HA! That’ll never happen…get out of my office” – Cerca 2017

“Oh…let’s take another look at this South Korean film…wow..this is JUST the thing and it’s their timing!” – 2019

Not that things are perfect now, but all kinds of things opened since then including first Korean-Canadian actress nominated for an Emmy and the most recent Asian-centric Best Picture (although not Korean).

In that singular grid-working session (and SO powerful it dauntens me to ever do grid-working again because it was too perfect and I don’t want to spoil a perfect track record of L.A. grid-work with the #metoo movement being before it);

We shifted timelines powerfully so they (S. Korea) were on the BEST timeline with L.A. Of course everyone on their side, did their part with such a unique film involving many people with great talent…they did their fullest.

And yet I did the thankless, true ‘behind the scenes’ work of a very different nature…but really, I’m just thrilled to have helped be part of it and make history – even though it’s the Muse/K-Pop stuff I’m more excited about (and how my men laid the Reception grid for well over a decade in the U.S. that led to sold out TWICE concerts).

Muse Herself is doing it for Her own reasons that are beyond just ‘cultural’ in favor of Korea and even this is related with Grail Ascension.

Not everyone believes in grid-work or timelines but most people on my wall do. There ARE unseen forces and psychic dynamics occurring. BTW; one of the actors recently committed suicide.

Anyways; I haven’t done grid-work since then (surely it will be coming back when She decrees it b/c there is work to be done)…

I’ve done a previous FB post or 3 on this but I’ll post the link to the official blog post on it here (and I know some of you may also be suspended in dis-belief):

https://sexychi.com/5-year-anniversary-of-the-seoul-l-a…/

#gridwork #gridworker #kpop #Oscars #lightworker #parasitemovie

“Most thrillingly, Bong’s film won Best Picture, prevailing over the predicted options from directors such as Martin Scorsese and Sam Mendes. In doing so, Parasite became the first non-English-language movie to win the Academy’s top award—and made history.”

https://www.theatlantic.com/culture/archive/2020/02/parasite-oscars/606310/?sexychigridwork